Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one from the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended like a trilogy. Did it actually end the best way you planned it in the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the writing process.

Q: We understand you worked for the initial screenplay to get a film to become according to The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. When you will find yourself adapting a novel right into a two-hour movie you can't take everything with you. The story has to be condensed to suit the newest form. Then you have the question of methods best to look at a magazine told in the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for any second and therefore are privy to all of her thoughts so you may need a way to dramatize her inner world and to make it easy for other characters to exist outside of her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A lot of things are acceptable over a page that would not be over a screen. So how certain moments are depicted may ultimately be inside the director's hands.

Q: Have you been capable to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully which it is just too difficult to consider new ideas?

A: We have a few seeds of ideas floating around inside my head but--given a ton of of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges and i also can begin to develop it.

Q: The Hunger Games is once a year televised event by which one boy and one girl from each of the twelve districts is expected to participate in the fight-to-the-death on live TV. Exactly what do you imagine the appeal of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an fascination with seeing who wins. The contestants are generally unknown, which makes them relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, to ensure that when they see real tragedy playing out on, say, the news, it doesn't hold the impact it should.

Q: If you were expected to compete inside the Hunger Games, exactly what do you think your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope would be to obtain hold of the rapier if there is one available. But the truth is I'd probably get about a four in Training.

Q: What would you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books could be relevant inside their own lives. And, if they are disturbing, whatever they might do about them.

Q: What were some of one's favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but on this occasion it's for world control. While it can be a clever twist around the original plot, this means that there is less focus on the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by showing her despair both at those she feels accountable for killing and possibly at her own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels as well as the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very evidenced in his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and a whole lot of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each one from the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.